Yelena Zhavoronkova is a California based Fine Art Photographer and Graphic Designer. She received a Master’s degree in Industrial Design from the St. Petersburg Academy of Art and Industry, Russia, and has worked as a graphic designer for over three decades. Over the past decade Yelena has been intensively studying and working in photography, which helps her to express her artistic vision. Yelena’s projects are simultaneously very personal and universal in nature, speaking to the viewers on an intimate level that is familiar to all.
Since 2010 her projects were exhibited in de Young Museum of Arts in San Francisco, City Hall of San Francisco and RayKo Photo Center of San Francisco; Blue Sky Gallery and LightBox Gallery in Oregon; and many other galleries around the United States and in Europe. Her works were published in the online edition of The New Yorker magazine, featured in Shutterbug magazine and Transformation literary journal, among others. As a part of the Indie Photobook Library Collection Yelena’s “Memories in Red” book is included in the Beinecke Rare Book & Manuscript Library at Yale University.
Yelena’s Archival Digital, Silver Gelatin and Platinum/Palladium prints are the part of many private collections and institutions in USA and in Europe. Currently she represented by the Anzenberger Gallery in Vienna, Austria and Corden|Potts Gallery, San Francisco, CA.
This series is part of my long-term project on California’s nature. With drastic and accelerating conditions of climate change around the world, California has not been spared—experiencing years of historic drought and wildfires.
The year 2015 was the worst for my community of Lake County, located in Northern California. That summer, extreme high temperatures and strong gusts of wind caused multiple massive wildfires that ravaged the county. Valley Fire, the last one of that season, affected me directly. Its sudden development and rapid spread caused panic and damage in communities that stood in its way. I witnessed the beginning of the fire personally as it neared my family’s residence, escaping by car. All around me, I saw buildings burning, abandoned cars on the highway, and downed power lines. It was pure terror. In just a couple of hours, Mother Nature overpowered humans. Over its course, Valley Fire engulfed more than 75,000 acres of land, killing four people and causing destruction to almost 2,000 structures. Its power and aftermath left deep marks on my life. When I returned to my neighborhood, I felt an urge to record the experience.
I chose plants to represent my community—nature’s portraits that had lived through and bore the marks of the fire alongside the people. I began by collecting branches, fruit, and leaves from areas around my home and then photographed each item as a portrait. They were then printed with dramatic tones and contrasts to convey the event’s tragedy, using the Platinum/Palladium process. To represent the fire itself, I chose to depict its embers using gold leaf.